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a6600 low light

But, in practice, it is quite cumbersome when filming complex motion across the frame. This means the a6600 gets no increase in image capture resolution, no improvement to low light shooting capabilities, and no increase in dynamic range either. It only shoots 8-bit 4K video, 4:2:0 internal, and 4:2:2 external. While not identical, it does provide enough versatility for manually controlling exposure. In this review, we have compared the Sony A6600 to its most relevant rivals from other brands. It puts them into a better build quality with a larger grip and robust autofocusing system. It provides better subject tracking and recognition through distance and texture, resulting in more precise focusing. The addition of a touchscreen allows users to perform intricate focus pulls and transitions with a single touch. Like the Sony, Canon’s mirrorless M models also adopt an APS-C size sensor, though they’re typically slightly smaller than the Sony sensors by a few millimeters. It features S-Log2, S-Log3, and HLG profiles from the a7 Mark III and a6400. Sony continues to stay ahead with its 24MP APS-C Exmor sensor, particularly with regard to low-light performance and high ISO dynamic range, though overall image quality is largely unchanged from earlier models. However, as this is only the second iteration in the series to feature built-in stabilization, it doesn’t perform to the levels seen in Panasonic or Olympus cameras. Considering the Fujifilm XT-3 and Black Magic Pocket 4K are at this price point, this camera offers very little to sway the professional videographer. Outside of this, the display also supports touch shutter and can act as an AF touchpad when composing via the viewfinder. Over the previous iterations, Sony has continuously refined and updated both the feature set and performance of these cameras. With the introduction of the Mark III, the price has fallen significantly, though not quite to the level of the Sony. The A7 III features a vast array of focus areas: 693 phase detection and 425 contrast detection points that cover 93% of the frame. This addition allows users to finally monitor recorded audio without the need for external devices, such as a recorder, to do so. For the Sony APS-C cameras like the a6600, there are a few choices, but none are on par with the Sony 16-55 f/2.8. Like the previous cameras in the lineup, it experiences the same marginal crop when shooting 4K 30p or 1080p above 60p. All rights reserved. Its release takes all the best technology and improvements from previous iterations in the series, combining them into a single unified body. Instead, this must occur in post-production. However, while the similarly-sized APS-C Canon sensor is 0.4 bits lower at base, the smaller Four-Thirds sensor in the Olympus OM-D E-M1 Mark II is only 0.1 bits lower than the Sony at 23.8 bits. Scopri il prodotto Fotocamera α6600 premium con APS-C e attacco E di Sony & esplora tutte le caratteristiche della gamma Fotocamere. If your budget allows purchasing this camera, the reality its the absolute best offering in Sony’s APS-C lineup to date. A continuous shooting rate of up to 11 fps is possible, with AF and auto-exposure saving to two slots—albeit these are for Memory Stick Pro and SD (with support for the slower UHS-I standard). The camera still features the same 24.2-megapixel CMOS sensor found on all other previous a6000 series cameras. Interesting. We’ll be keen to test the camera in some more extensive conditions - such as low light, and with moving subjects - but both look like good all rounders, with the more expensive a6600 being the obvious choice for those who are particularly committed to … 2019 was Sony’s opportunity to assert its dominance in the APS-C sphere, and that they did by delivering the best APS-C camera to date. Yes. Like its forerunner, the new model features a 24.2 MP Exmor CMOS sensor and in-body image stabilization (IBIS) with compensation up to 5 stops; however, the A6600 includes Sony’s vaunted Real-Time Tracking Autofocus for both stills and video. If you prefer composing via the viewfinder, it means you must first disengage then touch the screen to enable subject tracking. Did they go too far? Unlike the competition, this camera doesn’t go as far as to assemble the timelapse movie in-camera. The tracking capabilities are also very good, even in challenging light conditions. The wider your Aperture, the more light you'll get onto the sensor of your camera. As for the body design, there have been some changes to the ergonomics, including a larger handgrip to accommodate a higher-capacity (2280mAh) Z battery that is rated at up to 800 shots per charge. Sony A6600, Samyang 45mm f/1.8 FE AF | 1/80 sec hand-held w/ IBIS, f/1.8, ISO 6400. Bar none. Whenever that happens, it will likely have the same new 32.5MP sensor as the Canon M6 Mark II, which we’re waiting to test. It has built-in interval shooting, replacing the need for the timelapse app found on the predecessor. That slight difference makes this camera above all apc cameras recently launched. Sony is the only manufacturer offering a single unified mount between both formats and the best option for the smoothest transition. While the camera itself doesn’t introduce much grounding improvements in and of itself, it does pull from the best specifications from the predecessor. It features a Shutter Auto White Balance lock, which maintains a set white balance during a continuous burst for a more consistent color. When enabled, the camera can track complex movements of subjects across the frame in both photos and videos. A maximum dynamic range of 13.4 EV is excellent for this size sensor, and like most typical sensors, it achieves this score at its lowest sensitivity. The camera now total four distinct custom buttons, deliver the best customization of the entire series. Thankfully, users can assign the shutter as a movie start/stop, which is an excellent and much needed alternative. And if you’re looking for their best all-in-one mirrorless camera or APS-C camera specifically, this is it. And, unfortunately, it makes using the camera in the electronic shutter mode useless. The A6600 sensor is strongest in our Sports (low-light ISO) category, and at 1497 ISO, achieves the highest value we’ve measured for this sensor type. This construction provides excellent weather sealing and resistance to both dust or moisture. Not only does the Olympus have an extremely extensive and well-thought-out lens range, the Mark II is now at a similar price to the Sony. The A6500 stitches multi-shot panoramas. E 18-135mm f/3.5-5.6 OSS Like its older brother, the Sony a6600 features a 5-axis image stabilization which is very useful for handheld shooting. Note, shooting at this frame rate does produce a slight blackout between frames. Low Light Performance. Surprisingly, this system provides the same confidence seen in Canon’s acclaimed Dual Pixel CMOS AF. However, Sony removed the built-in flash found in its predecessor. This implies that the Sony A6600 delivers much better results in low-light situations, but we are yet to see how this will play out in practice. Video looks superbly clear and pin sharp. Click on the score chart above to open the Sony A6600 product page. There’s also some evidence that the Sony A6600 has changed its behavior in sensitivity from ISO 200 onwards. With that, you can shoot as long as your battery and SD card allows. Its release does represent a new level of capability in the APS-C world, however. If you want to avoid this, then 8 fps is best as it delivers better live feedback between frames. However, you can use the SNQ mode to perform a timelapse movie, though only at 1080p resolution. However, if you take ease while panning in 4K, you will be pleased with its stabilization, robust autofocusing, headphone, and microphone ports. There is a reason so many cameras come as kits with a mid-range zoom lens. However, it does feature a slightly deeper buffer, now at 40 RAW + JPEG images in a row. This should help with stills shooting in low light, to be sure, but also combines with excellent autofocus tracking to make it the best crop-sensor video shooter Sony currently sells. Like the a6400 before it, this camera also removes the artificial 29 minute and 59 seconds movie record limit. 2019 was Sony’s opportunity to assert its dominance in the APS-C sphere. But it works in its favor to deliver the best grip in the series to date. In spot or center, the Sony A6600 only considers what is in that spot or the center (per example, if your subject is … Not surprisingly, a strong result in the Sports category usually means a strong result in the Landscape (dynamic range) category, and so it is here. Noise is well managed up to around ISO 6400, when it starts to become evident even at relatively small sizes, such as A4. It now features a headphone input, making it the first in this lineup of Sony cameras. It also makes for an excellent replacement for those looking for a capable travel option in place of a full-frame camera. With the addition of a more substantial grip, the camera begs for a front adjustment dial. However, the reality is that real-time autofocus works so well that it can easily never be disabled. If you want a lens to interchange between your A6600 and a full frame camera, then you should look at the Sony 55mm F/1.8 , but no reason to spend that much if you’re only using the lens on the A6600. The final, and immediate question, is considering the cameras starting price, does it offer enough to forgo Sony’s full-frame a7 Mark III? It is an excellent choice for those seeking a hybrid all-in-one camera and one that appeals to both filmmakers or budding videographers alike. For those looking at the previously released a6400 that were initially hesitant on diving in due to lacking stabilization, this is your camera. Copyright © 2008-2020 DXOMARK. Even so, the Sony A6600 captures an extra +0.56 EV more than the smaller Four-Thirds sensor in the Olympus at its lowest sensitivity setting, ISO 200 (measured ISO 83). The camera still retains two custom buttons on the top, C1-C2. The a6600 further differentiates itself by offering in-body image stabilization, which is still a rarity among APS-C cameras. In the end, they’ve done well to create the top-performing APS-C cameras available to date. The camera natively shoots 6K resolution, which it then oversamples to 4K UHD. How does this camera now compare to the previously released a7 Mark III? The electronic viewfinder has the same standard resolution of 2.36M dots, the identical resolution found in the original a6300 released four years prior. Sony aims the camera to videographers primarily, but it inherits features and capabilities photographers will appreciate as well. You may think this sounds simple on paper. It inherits the articulating touchscreen from the a6400, which tilts downwards at 74 degrees and upwards at 180 degrees for front-facing selfies or vlogging applications. Physical and ergonomic changes are some of the significant updates seen in this particular release. Thankfully, shooting at 4K 24p or 1080p 60p both incur no crop, however. In 1080p, this camera remains above the competition as one of the only cameras to record both audio and maintain autofocusing while filming in this mode. The A6600 performs extremely well in low light. In today’s post, we find out what’s changed, what’s new, and how it fits into Sony’s existing lineup of mirrorless cameras. If you mount a shotgun microphone or receiver onto the hot shoe, it blocks the majority of the screen when articulated, rendering it mostly useless. What are some of the goods, bads, and uglies of the Sony a6600? low light possibilities with the Sony 35mm F/1.8 OSS Sigma 56mm F1.4 DC DN: In the 50mm range, there are a number of good full frame and aps-c choices. The Sony a6600 is the new flagship model in Sony’s famous APS-C sensor mirrorless line of camera. It’s interesting to compare the A6600 with the Micro-Four-Thirds Olympus OM-D E-M1 Mark II. With a well-rounded feature set, the Sony A6600 is an attractive camera at a relatively affordable price. What are the best lenses & bundles for the Sony a6600? In terms of design, the camera follows the same logical structure and cues as previous iterations. We’ll also look at the 24.2MP Canon EOS M5. The A6600 doesn’t just have good low light performance up its sleeve, though. The reality is that Sony is doubling down on the same 8-bit codec from earlier generation cameras here, causing them to fall behind the competition aimed at serious filmmakers progressively. The camera features SNQ, Slow and Quick, Mode. Video capture is 4K/30p full-pixel readout without binning from essentially a Super-35mm area with HLG and flat log options. Although not as fast as the flagship A9, the A7 III has proven to be an excellent performer in our tests which include sports, birds in flight and low-light events. As we’ve already mentioned, the Olympus OM-D E-M1 Mark II is a premium model that is pitched at a similar market segment as the Sony A6600. Of course, as this is the flagship camera, one can easily question why it doesn’t inherit a more modern 26 or 30-megapixel sensor, which inevitably caused disappointment. Users can expect usable images up to ISO 6,400, where the details are sharp, with only minor color … It’s an excellent camera. It just oozes that aura of quality. Overall, users should seriously consider taking care when shooting in 4K, be it vlogs or run & gun style videos. in our low-light tests, we look for where noise is introduced into the image and when that noise starts to color shift, affecting the color and sharpness of the image. The camera lacks an AF joystick, while not a deal-breaker, it would be helpful to add greater versatility in its ergonomics. It certainly outperforms the Canon EOS M5 for color depth at low to mid sensitivities, but even then, the Olympus has a marginally higher color depth at ISO 400 (measured ISO 162). Mini HDMI is the preferred option here, as this is incredibly cumbersome. We use cookies and similar technologies to recognize your repeat visits and preferences, and analyze traffic. It has built-in focus magnification and focus peaking. Sony has poised this camera to be a popular release in the APS-C realm and stiff competition to Fuji’s XT-3. If you’re someone who uses the function for fill, this could be a potential deal-breaker depending on your particular usage. Although it has a very good maximum color depth of 13.4 bits at its expanded setting of ISO 50, it doesn’t fare quite so well after that, especially at mid and high ISOs. Nonetheless, this is the future of what’s to come in this realm. In-body image stabilisation offers support on five axes, and, claims Sony, up to five stops relief. In multi, it considers the whole frame and sets exposure according to internal algorithms programmed in camera. These profiles provide flatter footage, which lends themselves to better post-production grading and highlight roll-off. Looking for a Sony A6500 vs Sony A6600 comparison? Get answers to your questions in our photography forums. Paired with a Sigma 16mm f/1.4, the a6400 is a low-light monster, creating images and videos with beautiful contrast and detail. As usual, you can create your own comparisons and in-depth analyses using our interactive image sensor ranking tool. This oversampling provides exceptionally sharp footage with resounding details and pleasing colors, all without any pixel binning. Ultimately, this comes down to your specific needs and circumstances. This change helps users by presenting a visual representation of the camera to see which custom button is selected and its available adjustments. For current Sony shooters, it makes an excellent B camera to your existing setup, as it now offers the identical battery, capabilities, and color science. Also worth noting is that images from the Sony A6600 sensor remain within our minimum 6 EV (measured at 6.78 EV) dynamic range quality threshold at the extended sensitivity setting of ISO 51,200. E 35 mm F1.8 OSS The A6600’s nearest competitor in terms of sensor size is the one it replaces, the Sony A6500. Instead, you must set up a custom key to change the default functionality of the adjustment dial. It shoots 4K UHD up to 30 fps and 1080p full HD up to 120 fps. E 55-210mm f/4.5-6.3 OSS That isn’t much between the two APS-C models, but to Sony’s credit, the A6600 sensor maintains that difference between the two until ISO 12,800 (ISO 25,600 on the Olympus). While niche, it is a useful addition for those who shoot portraits and often switch to landscape for alternative framing. SNQ may or may not satisfy your desires, though, as most rivals output at 4K UHD, not 1080p.

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