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fujifilm dynamic range priority

Beware how you have your Import settings in these programs. He laughed at me and said “the RAW file is the RAW file, the dynamic range isn’t affected,” like I was some kind of idiot for asking the question. When bringing into LR and adjustingand flatness can be fixed. But then you have to be careful with how your RAW converter treats the file. Some high contrast scenes are to high to capture all w/o going to HDR. Great BLOG! Hope that helps! But if you’re processing a RAW file, you’re probably better off doing all of this using other tools like Highlight and Shadow. So if you want to get the most out of your RAW photos, I’d recommend exposing as far to the right as you can while protecting the highlights. Read the Sony RX100 VI review. Hell, I can’t even see that. Switch the drive mode into BKT and hold down the shutter. The camera processor then “pushes” the exposure back up to where it should have been, but minimizes the push in the highlights area. the one that is fine for the shadows). Auto EXR is scene recognition that also recognizes which EXR Priority option to use. Yes, I think DR100 should really just be called DR OFF. D Range Optimizer in AUTO does add Highlight and Shadow adjustments … not just DR changes. I don’t intend to bother you but the subject is actually extremely interesting and I really appreciated your detailed and documented explainations and would love to have your point of view on this : In my understanding, DR modes affect the RAW because the exposure (speed/aperture, ISO excluded) should not be the same at DR100% and DR 200% : lets say I shoot 2 pictures with the following settings : Aperture fixed at f/t2, auto speed, auto ISO : -First picture shot at ISO 200, DR100%: I manage to get a correct exposure (no exposure to the right at all, just an average exposure to get good shadows and not to blown highlights), I am getting a correctly exposed RAW file. The X-T3 is capable of recording video in 4K resolution up to 60 fps. Some raw software does not apply the gain. Cheers. And some photographers prefer that look to be able to add contrast back to a JPEG file. In the second case, you are seeing not only the “standard” converter image but also that image with the Dynamic Range/Priority settings/”adjustments” on top? Even on the now-ancient X-T1. Unfortunately, you cannot bump the dynamic range up, only down. Fujifilm launches mirrorless digital camera “FUJIFILM X-S10” ... ,” “Clarity” and “Dynamic Range Priority” to produce landscape images of greater saturation or beautiful portraiture that accentuates the main subject. If this is correct then one could say that using the DR funtion does not come totally for free but at the cost of a faster shutter speed, which in some cases could be an unwanted side effect, but again, I‘m not sure if my understanding is correct. FUJIFILM X Series & GFX – Global official site. Use code "blog20" at checkout for a reader-only 20% discount! Hello everyone,Today in this video I am going to talk about the dynamic range setting on Fujifilm X-T2. In your example, let‘s say that my shadows would look fine at 1/125 (with ISO set to 200) and my highlights would look fine at 1/500 (also with ISO set at 200), a difference of two stops. The dr200% raw file is digitally pushed by 2 stop in most raw software. And, it looks like ISO Auto is not the way to go. However, I see that the default setting from Fuji is off. It is a much more complex process to merge dark, bright, and middle exposures to come up with one final photo with low contrast and increased tonal range. Also noticed on import to LR that the highlights were still over exposed, not like the .jpg in-camera preview which were underexposed or not over exposed…I will stick w Manual exposure mode and if need be shoot an HDR or a combo of DR/HDR. Once the RAW preview files are built those processed JPG previews will disappear. Please note that these photos use Lightroom to simulate DR400 processing, to illustrate the steps that the camera processor takes. You could always stop down to compensate, if possible. However, the DR settings are written to the metadata and some RAW converters apply this setting automatically. You can use the Highlight and Shadow tones options for further curve adjustments. Bracketing modes won’t work in those situations. Does that sound right and make sense as a simple approach likely to extend dynamic range without unnecessary noise? Start with DR100%, which turns the dynamic range optimizations off. I do not shoot in .jpg or simulations unless who I shoot for asks me to… it has no value to me. Yeah so if you’re in manual ISO the camera won’t override that ISO to give you a higher DR. Yeah there’s definitely something to be said about just trying all the settings out for yourself and seeing how they work with your own genres and styles, rather than relying on test shots from other people. First, you say: «The RAW file is underexposed by either one (DR200%) or two (DR400%) stops. Back-Button Focus is STILL Relevant in Today’s Mirrorless Cameras, Fujifilm Announces Photographer’s Professional Services Program, D-Rng underexposes by reducing the sensor. Hi John, first of all thank you for this explanation. The Dynamic Range setting “underexposes” only these bright areas so that instead of pure white, you can see some of those details that would otherwise be lost. But the image preview – even if you’re only recording RAW – will still reflect the Dynamic Range/Priority settings. All I meant by saying “the RAW file isn’t affected” is that there’s no special processing applied. First off, as I mentioned in the beginning, these settings permanently alter the JPEG file. Use code "blog20" at checkout for a reader-only 20% discount! Thanks for a really great explanation, excellent post and really appreciated. But the metadata written to the file affects how different RAW converters treat the file when they process it. The first image is a high-contrast scene with no Dynamic Range or Priority settings applied. It affects your in-camera histogram that you might be using to calculate your RAW exposure, and some RAW converters will read the DR setting written to the RAW file. So, three clicks is one stop. Is this correct or do I miss something here? But pure .jpg way too flat. First quote from article means, that RAW data is underexposed (affected), and second quote claims that only metadata is affected. You’re welcome! Yes, just the problem for many photographers is that the RAW processors that do apply the processing don’t really advertise that they’re doing it, and there’s no way to make direct inputs to how the gain is applied in post. Lens & Optics; Lens Mount: Fujifilm X: Lens: Fujinon XF 18-55mm f/2.8-4 R LM OIS; 14 elements in 10 groups, including 3 aspherical lenses and 1 extra low dispersion element Digital cameras can’t see the wide range of tones, from dark to bright, that our eyes can, and so these settings are an attempt to get it closer to how we see. I’ve done some more testing with every RAW converter I can find and have found that some apply the settings and some don’t. I’m perfectly happy using DR AUTO, letting the camera decide between Off and DR200. It’ll give you the highest contrast out of the DR settings because it doesn’t change the tone curve at all. =) I tested the DR scenario accidentally for my own when I got my X-T3. Yes, I thought only the X-T3 and 30 offered D Range Priority? Any other Base Characteristics Curve ignores it an there’s no way to just apply the DR setting. Fujifilm’s film simulations will also alter how Dynamic Range Priority is rendered. They don’t permanently alter the data captured in the RAW image. Delivers 9.6 stops of dynamic range at ISO 125. The post as a whole is well researched and well written! Fuji Dynamic Range in Lightroom and Capture One,, Fujifilm Tethering Workarounds for Lightroom Classic and Capture One, Kneecapped by the Mythical Fear of High ISO Noise. Fujifilm has a Dynamic Range setting, like many other digital cameras, that help preserve details in bright highlight areas. Have a great trip to Africa! The big takeaway for understanding the difference between Dynamic Range Priority and Dynamic Range is the “package” concept. “But the image preview – even if you’re only recording RAW – will still reflect the Dynamic Range/Priority settings.”. You’ll see it in your in-camera preview, and also in your RAW converter during import. I actually didn’t bring up Dynamic Range Priority at all in this article. Photoshop doesn’t enable it at all. So while all Fujifilm X cameras have Dynamic Range, if you want to get a “Dynamic Range Priority” look with other cameras, you’ll have to manually control Highlight & Shadow Tones. Just choose which one is more important to you (shadows or highlights) and expose for that. Fujifilm is helping make the world a better, healthier, and more interesting place. . But I got DR 200 to work! What I noticed is how very Flat (I think as you said) the RAW images are at Strong and 400 vs off and adjusting for highlights manually or EC using Provia Std. So, is RAW files really underexposed (if I shoot RAWs, not JPEGs) or RAW data is not affected by these settings? But there is no slider or adjustment to let you know that this happened. RAW is electronic information (maybe a better term out there) written to the sensor. So while all Fujifilm X cameras have Dynamic Range, if you want to get a “Dynamic Range Priority” look with other cameras, you’ll have to manually control Highlight & Shadow Tones. The Fujifilm X-T3 is a mirrorless interchangeable-lens digital camera announced on September 6, 2018. Fujifilm cameras have various settings related to dynamic range: in addition to the tone curve (Highlight / Shadow Tone on older models), there is Dynamic Range and Dynamic Range priority. It’s important to have a basic, simple understanding of how D-Rng works in order to use it properly. It’s now included in newer Fujifilm cameras like the X-T3, X-T30, X-Pro3, X100V, and X-T4. maybe I am a bit dull here….but this seems a bit complicated and takes joy out of capturing the images. In short, Fujifilm’s Dynamic Range optimization processes a photo in-camera to decrease the amount of contrast in the photo. The full-frame Nikon Z 6 also largely performs on par with the Fujifilm and Olympus cameras, apart from between ISO 3200 and 12800 where it can capture around 1 stop more dynamic range. DR400 can look a little flat for me at times, so experiment with it to see if it matches your taste. If that’s what you’re doing, then yes you’re not getting much out of these settings other than seeing a “flatter” histogram in your viewfinder. May I just need to practice a lot more. In an extremely high-contrast scene like this, I would prefer to process it in a RAW converter. That’s what I always thought…the RAW file being the RAW file. Highlight & Shadow Tone is another setting that does another thing. Not so with the Fuji X100. Just following up a bit more on my question if you get time and have interest in answering it, I was wanting to add to the mix the issue of Fuji’s ISO invariant sensor. As I understand it, and that’s not claiming much, the lower the ISO the better the dynamic range. how do capture one read all this in comparison with lighroom? bigger. Not sure when to use this as never use .jpg. If DR200 appeared too flat for you (unlikely), you can pull it down to DR100 in the Q menu. It’s now included in newer Fujifilm cameras like the X-T3, X-T30, X-Pro3, X100V, and X-T4. And this is why I love mirrorless cameras with a histogram in the viewfinder. SETTING”, then “BKT SELECT”, choose “DYNAMIC RANGE BKT”. You can kind of change the D-Rng setting using the Q button in playback mode. Ergonomically, Fuji incorporated a number of features from the high-end GFX cameras, so in a way, it can be thought of as a mini-GFX. How Accurate are Fujifilm’s Film Simulations? ... To 15 minutes Shutter-priority and Manual modes, to 60 minutes (3,600 seconds) in Bulb. Fujifilm X100F, f/5.6 at 1/220 at Auto ISO 200, Auto Dynamic Range at 100%. If your habit is to always shoot at a low ISO with a histogram bunched up on the left, planning to push it in post-processing, you’re not giving LR/PS much data to work with. The raw file will be underexposed by 2 stops when using dr400%. “200% is available at sensitivities of from ISO 320 to ISO 12800, X400% at sensitivities of from ISO 640 to 12800.” The ISO value is written to RAW. Delivers 9.7 stops of dynamic range at ISO 800 & ISO 1600. if you reply… what is the advantage of using DR when capturing in RAW, in M or using EC with A or S priority exposure mode. Well, that’s an entire post in itself, and you can read how the Dynamic Range setting works here if you want to get further into the details. Check the official manual from fuji or try it for yourself with the setting: DR400 is a little too flat for me – I prefer more contrast. “Dynamic Range Priority” includes “Dynamic Range.” The regular “Dynamic Range” setting sometimes isn’t enough for really high-contrast scenes; “Dynamic Range Priority” can further increase dynamic range by outputting a much flatter image. But I just compared some extreme contrast files at DR100 and DR400 and see the difference now. You gotta go back to the JMT and get those awesome landscapes! Dynamic Range Priority doesn’t do anything new; it just combines the functions of Dynamic Range and Highlight/Shadow Tone to further reduce contrast. You could also create some custom modes for different looks/shooting conditions. Get more Fujifilm tips, inspiration, and discounts on upcoming courses delivered to your email.Click here to subscribe. As for the ISO values, those are new with the latest generation of cameras and I’ve made a note of it. Or will it override the ISO value that I set to put it at ISO 400 ? Fujifilm X100F, f/4.5 at 1/140 at Auto ISO 400, Auto Dynamic Range at 200%. Yeah if it’s all about capturing the right moment, you just have to figure out the proper exposure and settings first. That’s correct, when your capture ISO changes due to DR setting changes, your aperture & shutter are also going to change depending on the exposure mode you’re in. 1. Price: $1,200 #18 Fujifilm X-T30. The dr400% raw file is digitally pushed by 2 stops in most raw software. TIA: Jun 13, 2020 at 05:31 PM It’s always left me puzzled and I have mostly seen articles where it’s suggested not to use the DR settings. James A. Shooting Mode: Aperture-Priority Auto: Image Size: 4896 x 3264: Sensitivity: ISO 200: Dynamic Range: 100% Aperture: f/5.0: Shutter Speed: 1/950: Lens Focal Length At this time, Fujifilm cameras do not do in-camera HDR processing. But for those who really want to take advantage of this feature, I hope this article helps. It CAN be too flat sometimes, but it’s easier to add Contrast and Black in post then take it away. That’s right, when you increase the ISO to get a higher DR setting, then the shutter speed (when in Aperture Priority) will increase by the same amount of stops. Your RAW converter may or may not read the camera settings metadata and apply corrections on import. Happy shooting! If this is right, it is never really possible, once you shot a picture at DR200%, to really undo that and go back to the exposure that would have been obtained by shooting at DR100%…. Dynamic Range Priority was first introduced in the X-H1. In most cases, you should expose for the shadows (“to the right”) when using D-Rng. Street photography is an interesting subject when discussing the dynamic range settings – most of it depends on your style. The resulting frames have great depth when post processing. Hi! It’s unfortunate that their names are so similar because that adds confusion. The RAW file is underexposed by either one (DR200%) or two (DR400%) stops. Thanks for the info and comments. Thanks for the clear explanation. If you go into the main menu and select “BKT/Adv. Thanks in advance. They’ll look exactly the same if no DR settings are applied, and different when the DR setting is applied. The third option is Dynamic Range 400 (DR400), and if it is selected the minimum ISO is 800. No one looking at your photos is going to notice an increase in noise from 160 to 320. Like everything, it’s a matter of personal taste. Instead, a setting of Dynamic Range 200% would mean that the camera underexposes by a stop, then uses in-camera processing to bring the values back into the correct exposure realm. Think of Dynamic Range Priority as a boosted Dynamic Range setting. It’s unfortunate that their names are so similar because that adds confusion. The Fujifilm FinePix F200EXR (February 2009) has similar low light capabilities as the F31fd in pixel binning mode, but allows for double the resolution in good light. But there are times when both types of photographers encounter really high-contrast scenes, with really bright brights and really dark darks. However, remember that the right side of the histogram contains more tonal information than the left side. There’s no indication of the specific curves used in Dynamic Range Priority – it all happens behind the scenes. Then adjust your exposure until the bulk of the shadows are in the left 1/3 to 1/4 of the histogram, not stacked up on the left wall. I would suggest comparing some photos with different DR settings, importing them into each program with different profiles & base characteristics to see what the differences are for each. ... Auto Dynamic Range function only selects between 100% and 200%; to get 400% you have to set that manually in a menu. Do you know how Capture one read all this? So if you’re only capturing RAW, using a high DR setting can help give you an idea of how much you’ll be able to recover in post-processing. In that case, Dynamic Range Priority may be something you prefer. I just wanted to limit it to the workings of Dynamic Range (found in all X cameras). The Dynamic Range setting is not the same as Dynamic Range Priority found in the X-H1 and X-T3/30. If you’ve set these programs to apply any “Auto Adjustments” during import, they will apply the Dynamic Range settings. Regular “Dynamic Range” doesn’t touch the Highlight & Shadow settings, only “Dynamic Range Priority” does. I forgot to change the DR setting from auto to 100 and wondered why my rafs have a ISO 320. The default setting is Dynamic Range 100 (DR100). But what does D-RANGE PRIORITY do and how is it different from the other Dynamic Range settings like DR100,DR200,DR400? People advocate this with Expose To The Left. Using the histogram to expose by so you protect your shadows/highlight? A rather important detail. Hi Rick, yes that’s right. If you’re in a custom setting where you’ve programmed a Dynamic Range setting and Highlight/Shadow Tone settings, enabling Dynamic Range Priority will disable these. But the reduction in contrast in the JPEG file will give you a little more latitude when processing the JPEG (which should still only be done cautiously since those files can’t take a lot). D-Range Priority The Fuji X-T3 offers a mode called Dynamic Range Priority, which appears to be an automatic combination of Highlight Tone, Shadow Tone and D-Range. You can also bracket the D-Rng settings. It seems it’s not applicable for scene with fast moving objects. To learn more about what we’re about, please explore Innovation at the Fujifilm global website. So when the camera is going to switch to DR200% ISO 400, my speed should also be increased (to lower my exposure, preserve my highlights and apply the ISO 400 only to the darker parts afterwards). Dynamic Range Priority is a completely different setting found only in the X-H1 and X-T3/30. In this case, I would then have to set the DR to 400% and the ISO to at least 800, and the photo shall be taken at the original exposure (i.e. Dynamic Range Priority might be a good solution for everyone. bigger. Dynamic Range 200 (DR200) is next, and if it is selected the minimum ISO is 400 (instead of ISO 200). Other brands may have different names. Barn Door, Yosemite, 21 May 2017. The settings are written to the RAW metadata and some RAW converters may apply these settings to the file on import, based on your RAW converter settings. Fujifilm Dynamic Range Priority vs Dynamic Range by John Peltier From - October 27, 2019 8:07 AM. To learn more about what we’re about, please explore Innovation at the Fujifilm global website. I’ll do another article soon explaining the differences to clear up similar confusion. 3. Sorry, I see contradiction in this article. The underexposure refers to how the in-camera JPG is made. It’s like during the capture of 3 exposures (if set to 3 frames) each frame has chance to have different scene since the camera takes 3 different shots and it’s like you press the shutter button 3 times. In one sentence, Dynamic Range uses ISO to “underexpose” the photo and then increases the exposure of only the shadow areas. I “normally” do not do anything with the .jpg unless I send one from the camera to a friend who wants it for some reason. The Fuji X100V is a handsome all-metal camera with real knobs and dials which makes it very easy to set and control from shot to shot. The RAW file is the raw data from the sensor. HDR – High Dynamic Range – blends multiple photos of different exposures. Something I do not understand : let’s say I only use manual ISO on a bright day and the value is set at ISO 160, do you confirm that the DRange AUTO will not work ? It’s the same story in Lightroom CC and Lightroom Classic. So For RAW it has no effect…now if they are wrong??? The process can be equated to decreasing the Exposure slider and increasing the Shadow slider in Photoshop, Lightroom, Capture One, and many other photo processing programs. I’d rather do that than bracketing for blending later on. Post-processing programs will always have more capabilities than what the camera can do, but sometimes what the camera can do is more than adequate for many photographers. The jpg had digital gain applied in the hardware of the camera. Two stops (six clicks) – use DR400%. I should be getting an underexposed RAW file right ? Really bright areas, where your eyes may see details, may come out pure white in the photo. This is the standard Dynamic Range option and it cannot be turned off (except by selected extended ISO 100). Great explanations though. D-Rng adjusts the exposure in an attempt to protect the highlights. Hi Russell, I’m on the road for a few weeks and that’s quite a monumental task to go through the dozens of RAW converters out there. The raw file will be underexposed by 1stop when using dr200%. Hi, could you list which RAW Converters/Developers (1) IGNORE The Dynamic Range metadata, and (2) which ones APPLY it, and (3) how to go about IGNORING/CALIBRATING the RAW Image Data/Rendering if the Dynamic Range metadata WAS APPLIED? Delivers 9.5 stops of dynamic range at ISO 160; Price: $899 #19 Panasonic Lumix S1 (Tied) Delivers 9.4 stops of dynamic range at ISO 1600. So I can confirm that the DR setting have a impact on the RAF. 's gear list Fujifilm X-H1 Fujifilm XF 18-135mm F3.5-5.6 R LM OIS WR No. Its goal is the same as Dynamic Range, but it combines both the Dynamic Range setting and the Highlight/Shadow Tone setting to do it. 's gear list: James A. It is weather-resistant, has a backside-illuminated X-Trans CMOS 4 APS-C sensor and an X-Processor 4 quad core processor. I’ve used numerous RAW converters that present the RAW file differently based on the in-camera D-Rng setting. And they also show RAW-only photographers how they might be able to recover dynamic range in post-processing. Dynamic Range: 100% ... Aperture Priority Auto: Image Size: 3000 x 2000: Sensitivity: ISO 160: Dynamic Range… It’s easiest to see how Fujifilm Dynamic Range works by looking at photos. It reduces the exposure in the bright areas and spits out a JPG with preserved highlights – to a point. So Dynamic Range is one setting that does one thing. How Accurate are Fujifilm’s Film Simulations? When the Fujifilm FinePix F200EXR is in EXR - D-Range Priority (DR) mode, you can set the Dynamic Range to either 100%, 200%, 400% or 800%, or Auto. Dynamic Range Priority was first introduced in the X-H1. Thanks. Dynamic Range. So when Dynamic Range Priority is applied, the images will look different from both simulations. In Capture One, any Curve other than “Auto” will not apply the Dynamic Range settings. Highlights are darkened, shadows are darkened even more.», «The RAW file is the RAW file, as read out by the sensor before processing. Dynamic range: The X-T4 performs very well for dynamic range, equalling the Olympus OM-D E-M1 III throughout its entire sensitivity range. You can only get your camera’s D-Rng setting applied if you hit “Auto” for the tonal adjustments. Darker shadow areas are unaffected by this underexposure. It automatically applies settings such as “Color Chrome Effect (Blue),” “Clarity” and “Dynamic Range Priority” to produce landscape images of greater saturation or … I’m a Big Fan of DRP, and push it all of the time, especially when I see landscapes with burned out Sun areas! This is a good way to get some blue back in an otherwise bright sky, for example. But I saw a big difference in details with ISO 320 in portrait details together with the 56mm. Hi Richard, thanks for the feedback. It’s an immediate solution to dealing with a high-contrast scene, and it does work well in many situations. You didn’t mention that in Auto, DRP adds the separate Highlight and Shadow controls to the mix. . Unless you’re in the brightest of scenes, the camera will use an ISO setting that will give you either DR200 or 400. Capture One is the same – when you have AUTO in the Base Characteristics, it applies the DR setting. If you like high contrast then you don’t need it at all. Some RAW converters will apply the DR settings written to the metadata while others will not. Fujifilm Dynamic Range uses only one single photo and is a much simpler process. Meaning, if parts of the scene are super-bright and washed out, it will underexpose the scene to keep the bright areas from appearing pure white. Experiment with these to see which looks you prefer the most. Just to confirm. It is fairly complicated and is definitely more along the lines of “personal style” and taste. Hi John and thanks for the usefull information. Thanks, John, for this and some other interesting pieces you have written on the Fuji settings for optimising dynamic range. WEAK is available at sensitivities of from ISO 400 to ISO 12800, STRONG at sensitivities of from ISO 800 to 12800. This then makes the dr200% file look 1 stop underexposed and the dr400% file will be underexposed by stops. If I’m in high-contrast lighting and want DR Auto to work, I’ll just bump up my ISO to 320. Only expose to the left when you really need to protect the highlights. There’s been some confusion about the differences between Dynamic Range Priority vs Dynamic Range in Fujifilm X cameras. But the RAW file itself is as the sensor captured it, not what the processor did to it.”, That’s wrong. The first step in optimizing D-Rng is knowing which setting you should use. This consists of High Resolution Priority, D-Range Priority, High ISO & Low Noise Priority, and Auto EXR. My answer now is “both,” and it all depends on the RAW converter you use. The problem for shooting that way I assume is that the image would appear dark in the viewfinder, but Fuji has a setting that lets you view images clearly without seeing the exposure imposed, so you could have the advantage of visible images and put your trust in recovering the exposure. Every camera manufacturer has one – it’s known as DRO in Sony cameras, ALO (Auto Lighting Optimizer) in Canon cameras, Active D-Lighting in Nikon, and simply Dynamic Range (D-Rng) in Fujifilm cameras. This website uses cookies. Finally, go back to your original exposure (do the clicky thing in the opposite direction), and then set DR200% or DR400%. If you don’t like flat, low-contrast photos, you may want to avoid Dynamic Range Priority altogether and only use Dynamic Range at times. How would you address this scenario? I’ve been using D Range Optimizer lately with my XT3 … often with the Velvia sim. . White Balance. In these cases where you want the most dynamic range out of a high-contrast scene in just a single photo, then yes, exposing to the left is, at least with Fujifilm cameras, a great way to do it. Here are the differences between Fuji's Dynamic Range Priority and Dynamic Range - two commonly misunderstood camera settings, with image examples. When Dynamic Range Priority is in Weak, Strong, or Auto, the Dynamic Range and Highlight/Shadow Tone settings are disabled since Dynamic Range Priority controls both of those. It sports a larger, APS-C sized sensor for dynamic range no small-sensor compact or even m4/3 camera can touch. I never shoot .jpg as I want maximum latitude for adjusting/editing. I assume the simple process would be to set a desired shutter and aperture, leave the ISO in Auto, and use the exposure compensation dial to knock it down. Think of Dynamic Range Priority (D RANGE PRIORITY in the menu) as a “package” setting. Some have mentioned I should just leave DR set to 200 as 100 is basically no change. However, the DR settings are written to the metadata and some RAW converters apply this setting automatically.». Price: $7,995 #17 Sony RX100 VI . Well, I now have a little better understanding. Thanks. They’re settings that alter how a Fujifilm JPEG is processed in-camera. *Edit – this answer appears to be based on the RAW converter. I don’t know Martin personally, but most people in Tahoe know of him! But I wonder what I should be shooting at when taking street shots and do not have the time to make these adjustments ‘on the fly’. For over a year I’ve said “no.”  I recently changed that to “yes” after a reader pointed out something else. read how the Dynamic Range setting works here, Fujifilm Tethering Workarounds for Lightroom Classic and Capture One, Kneecapped by the Mythical Fear of High ISO Noise.

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